This Drifting Excrement Was Far Too Symbolic! It's the Television Letdowns of the Year.

As we consider the television landscape of the past year, a selection of series stand out not for their excellence, but for their notable shortcomings. Ranging from cringe-inducing spin-offs to confusingly bad documentaries, here are the programmes that had us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this love/hate follow-up? Plagued with woeful scripts, painful arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to justify its existence. For a moment, as the final series started, it seemed as if it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. No wonder the creator declared this would be the final season. It concluded on a low point; the lingering shot of Miranda’s loo full of poo was just way too on-the-nose. Still, viewers certainly had a hoot picking apart every single “what on earth?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the smallest of this show's problems. The recipient of a very rare no-star assessment, it was hard to know where to begin listing the flaws. The laughably wooden dialogue? The tedious veneration of affluence and materialism? The seemingly wilful procession of cliches? Acting so bad they felt borderline malicious? Suffice it to say “all of the above” and never speak of this series again. However, a new season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Given the legal troubles, domestic violence allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this three-part documentary which chuckled along at Sheen’s various bouts of reckless hedonism while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being indulged, so any sympathy this show might evoke should be reserved for the people who have had to suffer close contact with this charming but flippant narcissist.

The Supercomputer Drama

Of course we knew it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy figures meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the ignominy of having to indulge baffling dialects. But there were many other issues. Mainly that it was just profoundly boring; a dispute over narcotics territory between various cockney rogues which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she grinds the gears of certain ostentatiously angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s various forays into quaint homemaking as intentional statements. But then you watch them and are forced to concede that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for evening drinks with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental platitudes and pointless crafting “tips” you’ll not remember instantly. All underpinned by immense, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about regarding Victoria Beckham and her struggles with career, self-image, self-acceptance. But for some reason, this documentary series chose not to say them. Rather, the viewing was akin to reading a marketing catalogue. She clearly has good reason to resent what she describes as her “stern” image. But unfortunately, she didn’t do herself any favours with this guarded letdown of a series.

The Game Show

It should have been the next big hit – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to live up to something far greater than it.

Too Much

How does one succeed a show that captured a generation? The pressure was immense for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd recruitment of talented younger comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a single joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled sensitively. Rather, the series struggled painfully to find the right voice, lumbering from oddly breezy, somewhat mannered farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Very much so.

Prime Target

We admire the lead actor … but did we buy him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This international thriller about government agencies targeting – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for explicit exploits as she undertook her biggest feat yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to haul her son away from the queue. What we got was horrific shots and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Matthew Clements
Matthew Clements

A tech-savvy writer with a passion for exploring how digital trends shape our daily lives and entertainment experiences.